• Login / Join
  • About
  • •
  • Contact
  • •
  • Advertising
bustler logo
bustler logo
  • News
  • Competitions
  • Events
  • Bustler is powered by Archinect
  • Sign up for Bustler's Email Newsletters

  • Follow these Bustler feeds:

  • Search

    Search in

  • Submit

    What are you submitting?

    News Pitch
    Competition
    Event
  • Login / Join
  • News|Competitions|Events
  • Search
    | Submit
    | Follow
  • Search in

    What are you submitting?

    News Pitch
    Competition
    Event

    Follow these Bustler feeds:

  • About|Contact|Advertising
  • Login / Join

A House For Anubis

Register/Submit Deadline:  Wednesday, Jan 2, 20087:50 AMEDT

Just days ago a giant fiberglass statue of Anubis, the Egyptian god of the dead and embalming, floated down the Thames, in London… It was on its way to Trafalgar Square, and other locations, in an effort to promote the exhibition: “Tutankhamun and The Golden Age of the Pharaohs.”

Another exhibiton dedicated, quite conveniently, to the ever exotic culture of the Ancient Egyptians. And the fiberglass representation of Anubis, 25 feet tall, was supposed - in the words of the organizers of this show - to protect the exhibition, inasmuch as the “original” Anubis was supposed to protect the dead in their way to the underworld.

But this seems to us like a chic exploitation of something that for the Old Egyptians was quite serious. Again and again, a de-sacralized “modern” world is playing with the most serious themes in the most un-serious ways. It is all about entertainment. A game. It is quite possible that by doing so the number of the visitors of this exhibition will increase, indeed, showing thus that the manipulations of capitalism do work, beyond all else… But with what price…?!? Will in this way our deep understanding of what Death is, and consequently our reverence for Life, increase…?!? Isn’t this, in fact, just another shallow spectacle, milking the exoticism and “otherness” of the Ancients…?!?

In what ways did genuine culture was thus served and in what ways did the profound beliefs of the Ancients were thus respected and continued…?

Yes, the black and yellow fiberglass Anubis did turn heads in London, just days ago, but did our understanding of that culture and our relation with Death gain in seriousness and depth…?!?

We doubt it.

So we ask you to design A House for Anubis. A serious “house.” We placed the word house between quotation marks because it might not be a “house” at all… But we ask you to reflect as seriously as possible on this ultimate subject, Death. And we ask you to reflect on your own mortality, beyond the temptation to be atracted by the literal seductiveness of the subject.

That death in our culture is trivialized, inasmuch as life is, is not a secret anymore.

Ingmar Bergman said that he didn’t spend one day of his life without thinking about death. This is why, perhaps, his films are so intense, so obsessive in their attempt to come to terms with death, and thus transgress it, through the very act of creation. He said that each film that he made was his last one… in the sense that he tried to say as much as possible, as intensely as possible, in every film he made! And a writer like Cesare Zavattini wrote, many years go, that if he had the ability to remind people every day of their own mortality, he would have done so, quite gladly… Indeed, the more one reflects on death, in a serious, profound way, and not in a chic, glamorized way, the more one intensifies life, if one is able to avoid the danger of becoming morbid, or paralized by melancholia.

It is certain that the Egyptians, these “experts in death,” if we are to use the almost sacrilegious language of contemporaneity, didn’t play games with death. We like to think that they would have never allowed themselves to descend at the very low levels of sheer prose that our fun mentality, even vis-a-vis death, makes possible.

For the Greeks Eros and Thanatos were insolubly connected.

Perhaps reflecting on death, with only a fragment of the seriousness the Egyptians had vis-a-vis this subject, would actually intensify life, as opposed to negating it.

We ask you to conceive A House for Anubis.

A House for the God of the Dead.

A House for The Guardian of the Veil, or The Lord of The Cleansing Room, as Anubis was called by the Egyptians.

Please try to do so with just a fragment of that reverence the Egyptians had towards death.

Conceive a “house” for the one who refuses to become the toy of irresponsible marketing policies, trying to transform even the gold of spirit into the gold of money.

Descend, dear architect, descend into the underworld, in the company of Anubis or an unknown / unnamed yet god.

Try to discover a new expression for a possible house for this Jackal Headed God!

A House for a dead god (but perhaps still dormant in our soul) ... in the XXIth century…?

Is such a thing really possible…?!?

Design a house for this “Go-Between” of Men and Gods, Anubis!


{encode="[email protected]" title="Competition Email"}

Share

  • Follow

    0 Comments

  • Comment as :

A House For Anubis

Register/Submit: Wed, Jan 2, 2008

Call for Entries: 2026 Brick in Architecture Awards

Register/Submit: Fri, Sep 25, 2026

N.Y.C. Groceries Branding and Design RFP

Register/Submit: Tue, Jun 30, 2026

Study Architecture Student Showcase 2026

Register/Submit: Mon, Jul 6, 2026

International Urban Project Award 2026

Register/Submit: Sat, Aug 1, 2026

International Design Competition for Pohang Museum

Register: Tue, Jul 21, 2026

Submit: Mon, Sep 7, 2026

Open Call: 13 White Houses

Register/Submit: Sun, Aug 2, 2026

New York High Falls Riverfront Market

Register: Wed, Jul 29, 2026

Submit: Mon, Jan 18, 2027

A House for Marilyn Monroe

Register: Sat, Aug 1, 2026

Submit: Tue, Aug 4, 2026

Sign up for Bustler's Email Newsletters

Open Access: Exploring 130 Years of American Design

Register/Submit: Sun, Jun 28, 2026

2026 Vega Digital Awards: Season 2

Register: Wed, Sep 16, 2026

Submit: Fri, Sep 18, 2026

Open Call: Architectural Essay Writing, 7th Cycle: 'Thresholds of Movement'

Register/Submit: Mon, Aug 31, 2026

Envision Resilience National Design Studio Grant

Register/Submit: Fri, Jun 19, 2026

BIGFIELDS STUDENTS PRIZE 2026

Register/Submit: Mon, Aug 31, 2026

CCC Emerging Design Awards 2026

Register/Submit: Tue, Jun 30, 2026

Valli Wine Tasting Room

Register: Thu, Jul 30, 2026

Submit: Mon, Feb 15, 2027

Next page » Loading

A House For Anubis

Register/Submit Deadline:  Wednesday, Jan 2, 20087:50 AMEDT

Share

Just days ago a giant fiberglass statue of Anubis, the Egyptian god of the dead and embalming, floated down the Thames, in London… It was on its way to Trafalgar Square, and other locations, in an effort to promote the exhibition: “Tutankhamun and The Golden Age of the Pharaohs.”

Another exhibiton dedicated, quite conveniently, to the ever exotic culture of the Ancient Egyptians. And the fiberglass representation of Anubis, 25 feet tall, was supposed - in the words of the organizers of this show - to protect the exhibition, inasmuch as the “original” Anubis was supposed to protect the dead in their way to the underworld.

But this seems to us like a chic exploitation of something that for the Old Egyptians was quite serious. Again and again, a de-sacralized “modern” world is playing with the most serious themes in the most un-serious ways. It is all about entertainment. A game. It is quite possible that by doing so the number of the visitors of this exhibition will increase, indeed, showing thus that the manipulations of capitalism do work, beyond all else… But with what price…?!? Will in this way our deep understanding of what Death is, and consequently our reverence for Life, increase…?!? Isn’t this, in fact, just another shallow spectacle, milking the exoticism and “otherness” of the Ancients…?!?

In what ways did genuine culture was thus served and in what ways did the profound beliefs of the Ancients were thus respected and continued…?

Yes, the black and yellow fiberglass Anubis did turn heads in London, just days ago, but did our understanding of that culture and our relation with Death gain in seriousness and depth…?!?

We doubt it.

So we ask you to design A House for Anubis. A serious “house.” We placed the word house between quotation marks because it might not be a “house” at all… But we ask you to reflect as seriously as possible on this ultimate subject, Death. And we ask you to reflect on your own mortality, beyond the temptation to be atracted by the literal seductiveness of the subject.

That death in our culture is trivialized, inasmuch as life is, is not a secret anymore.

Ingmar Bergman said that he didn’t spend one day of his life without thinking about death. This is why, perhaps, his films are so intense, so obsessive in their attempt to come to terms with death, and thus transgress it, through the very act of creation. He said that each film that he made was his last one… in the sense that he tried to say as much as possible, as intensely as possible, in every film he made! And a writer like Cesare Zavattini wrote, many years go, that if he had the ability to remind people every day of their own mortality, he would have done so, quite gladly… Indeed, the more one reflects on death, in a serious, profound way, and not in a chic, glamorized way, the more one intensifies life, if one is able to avoid the danger of becoming morbid, or paralized by melancholia.

It is certain that the Egyptians, these “experts in death,” if we are to use the almost sacrilegious language of contemporaneity, didn’t play games with death. We like to think that they would have never allowed themselves to descend at the very low levels of sheer prose that our fun mentality, even vis-a-vis death, makes possible.

For the Greeks Eros and Thanatos were insolubly connected.

Perhaps reflecting on death, with only a fragment of the seriousness the Egyptians had vis-a-vis this subject, would actually intensify life, as opposed to negating it.

We ask you to conceive A House for Anubis.

A House for the God of the Dead.

A House for The Guardian of the Veil, or The Lord of The Cleansing Room, as Anubis was called by the Egyptians.

Please try to do so with just a fragment of that reverence the Egyptians had towards death.

Conceive a “house” for the one who refuses to become the toy of irresponsible marketing policies, trying to transform even the gold of spirit into the gold of money.

Descend, dear architect, descend into the underworld, in the company of Anubis or an unknown / unnamed yet god.

Try to discover a new expression for a possible house for this Jackal Headed God!

A House for a dead god (but perhaps still dormant in our soul) ... in the XXIth century…?

Is such a thing really possible…?!?

Design a house for this “Go-Between” of Men and Gods, Anubis!


{encode="[email protected]" title="Competition Email"}

Share

  • Follow

    0 Comments

  • Comment as :

Promoted Competitions

Valli Wine Tasting Room

Register by Thu, Jul 30, 2026

Submit by Mon, Feb 15, 2027

Pavilion Atlas 2026

Register by Wed, Sep 16, 2026

Submit by Mon, Oct 19, 2026

Open Call: 13 White Houses

Register/Submit by Sun, Aug 2, 2026

Call for Entries: 2026 Brick in Architecture Awards

Register/Submit by Fri, Sep 25, 2026

Chicago Architectural Club 2026 Burnham Prize: The Future of State

Register by Wed, Jul 15, 2026

Submit by Mon, Jul 20, 2026

Museum of Emotions / Edition #8

Register by Thu, Jun 18, 2026

Submit by Mon, Jul 20, 2026

Re:Form - New Life for Old Spaces / Edition #3

Register by Thu, Jul 2, 2026

Submit by Mon, Oct 12, 2026

2026 Fall 2x8 Exhibition and Scholarship Program

Register by Mon, Sep 14, 2026

Submit by Mon, Oct 19, 2026

Kinderspace: Architecture for Children's Development competition / Edition #4

Register by Thu, Jun 18, 2026

Submit by Mon, Nov 30, 2026

50,000€ Prize / Mujassam Watan Urban Sculpture Challenge #8

Register by Thu, Jul 23, 2026

Submit by Thu, Aug 27, 2026

Underbridge / Edition #2

Register by Thu, Jul 16, 2026

Submit by Mon, Oct 19, 2026

100,000 € Prize / Buildner's Unbuilt Award 2026

Register by Thu, Jul 9, 2026

Submit by Tue, Oct 20, 2026

Kingspan MICROHOME 2026

Register by Wed, Sep 30, 2026

Submit by Mon, Nov 2, 2026

Portugal Long Table Restaurant

Register by Wed, Jul 8, 2026

Submit by Mon, Jan 11, 2027

Next page » Loading