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Apollo11

Register/Submit Deadline:  Sunday, Sep 22, 201911:30 PMCEST

Architecture and design share with the Apollo program a sort of methodological and evocative platform which is characterized by great efficacy. It is the tool of the “project”, intended as that sort of logical process that is able to transform ideas into reality. The success of Apollo program is clearly the outcome of a precise long term project, a project of unbelievably high level of imagination and construction. Architecture and design embody this kind of strength and, through the common denominator of the project, they aren’t just pushing the boundaries of the disciplines themselves, but are more generally challenging the forces that, in all ages, fight any type of change (first of all, inside men’s mind). An effort as the one we can see in the attempt made by Adriano Olivetti, against any convention, to create a new economic and social model for his company, together with many visionary creatives.

Architecture and design oblige mankind to face off new ideas, new facts, new objects, in order to create a better environment, a better life. They are strongly identified with their capability to design as a way of thinking, acting on reality and ultimately create radical change in the world, whatever the scale of the project is; to build a rocket heading to the Moon or to design an innovative building with new and controversial instruments in order to trace a new scenario, same as Frank Gehry did with Walt Disney Concert Hall.

Project actions are very often the result of a collective and anonymous effort, rather than of a few specific authors. The city represents one of the greatest achievements in the history of mankind and it is a collective fact, both spontaneous and both the result of a precise project, also concerning the technological progress. But in any case the city, the civitas, is first of all an idea. This help us to keep in mind that beyond the many ways in which is possible to develop a great result, the most important thing is the meaning of the mission, rather than the form in which it appears during its development and after its completion.

Seen from the perspective of communication and narration, nothing of this sort could have been achieved without the use of wide and various techniques and escamotages. A reflection around the theme of Apollo 11 nowadays should include a critique of the complex mechanisms that allowed to put in place the biggest show of the century.

For example, pop culture played a vital role in giving life and color to the adventure: a wacky but popular example is the use of Bowie’s dramatic song “Space Oddity” describing an astronaut demise, which was bizarrely used as background theme for the launch of Apollo on CNN. Also, we should reflect on how these escamotages can and are used today: it is known that Isis has put together one of the most successful examples of engagement campaign, by smartly using all the communication channels at its disposal, even social networks. How has communication design impacted the popularity of Apollo 11? What are the main differences with today’s media and approaches? What do we expect to face in the next years? 

Considering Apollo 11 as the archetype of human achievements we look at it in term of glory, power, propensity to dream. At the same time, Apollo 11, like any other great event, is the bearer of many outcome of dichotomous interpretation. In fact, it also represents one of the peaks of the Cold War and is the result of the same policies that lead to Vietnam War and much more. It is simply not correct to look at any event in isolation from its historical context. In what terms did the seed of the Apollo program develop in the 50 years that preceded it? And in what context have we seen its effects develop in the 50 years that have followed? Someone could think at it as the start of an age of never realized-expectations. It took sixty six years for humans to launch the first controlled flight to the moon but, in the following fifty years, progress in this matter remained – more or less – still. But what about the next fifty years from now? When re-thinking it today, the most important milestone of the space race cannot be read in isolation from our planet’s current issues. Was Apollo 11 the first step to ensure the survival of human species on another planet or the start of human devastating influence on other celestial bodies?

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Apollo11

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Apollo11

Register/Submit Deadline:  Sunday, Sep 22, 201911:30 PMCEST

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change ● dream ● symbol ● community ● moon ● soace ● apollo

Architecture and design share with the Apollo program a sort of methodological and evocative platform which is characterized by great efficacy. It is the tool of the “project”, intended as that sort of logical process that is able to transform ideas into reality. The success of Apollo program is clearly the outcome of a precise long term project, a project of unbelievably high level of imagination and construction. Architecture and design embody this kind of strength and, through the common denominator of the project, they aren’t just pushing the boundaries of the disciplines themselves, but are more generally challenging the forces that, in all ages, fight any type of change (first of all, inside men’s mind). An effort as the one we can see in the attempt made by Adriano Olivetti, against any convention, to create a new economic and social model for his company, together with many visionary creatives.

Architecture and design oblige mankind to face off new ideas, new facts, new objects, in order to create a better environment, a better life. They are strongly identified with their capability to design as a way of thinking, acting on reality and ultimately create radical change in the world, whatever the scale of the project is; to build a rocket heading to the Moon or to design an innovative building with new and controversial instruments in order to trace a new scenario, same as Frank Gehry did with Walt Disney Concert Hall.

Project actions are very often the result of a collective and anonymous effort, rather than of a few specific authors. The city represents one of the greatest achievements in the history of mankind and it is a collective fact, both spontaneous and both the result of a precise project, also concerning the technological progress. But in any case the city, the civitas, is first of all an idea. This help us to keep in mind that beyond the many ways in which is possible to develop a great result, the most important thing is the meaning of the mission, rather than the form in which it appears during its development and after its completion.

Seen from the perspective of communication and narration, nothing of this sort could have been achieved without the use of wide and various techniques and escamotages. A reflection around the theme of Apollo 11 nowadays should include a critique of the complex mechanisms that allowed to put in place the biggest show of the century.

For example, pop culture played a vital role in giving life and color to the adventure: a wacky but popular example is the use of Bowie’s dramatic song “Space Oddity” describing an astronaut demise, which was bizarrely used as background theme for the launch of Apollo on CNN. Also, we should reflect on how these escamotages can and are used today: it is known that Isis has put together one of the most successful examples of engagement campaign, by smartly using all the communication channels at its disposal, even social networks. How has communication design impacted the popularity of Apollo 11? What are the main differences with today’s media and approaches? What do we expect to face in the next years? 

Considering Apollo 11 as the archetype of human achievements we look at it in term of glory, power, propensity to dream. At the same time, Apollo 11, like any other great event, is the bearer of many outcome of dichotomous interpretation. In fact, it also represents one of the peaks of the Cold War and is the result of the same policies that lead to Vietnam War and much more. It is simply not correct to look at any event in isolation from its historical context. In what terms did the seed of the Apollo program develop in the 50 years that preceded it? And in what context have we seen its effects develop in the 50 years that have followed? Someone could think at it as the start of an age of never realized-expectations. It took sixty six years for humans to launch the first controlled flight to the moon but, in the following fifty years, progress in this matter remained – more or less – still. But what about the next fifty years from now? When re-thinking it today, the most important milestone of the space race cannot be read in isolation from our planet’s current issues. Was Apollo 11 the first step to ensure the survival of human species on another planet or the start of human devastating influence on other celestial bodies?

quintacolonna.eu

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