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MoMA to stage long-awaited Donald Judd retrospective in 2020

By Mackenzie Goldberg|

Thursday, Apr 25, 2019

Donald Judd. Untitled. 1991. Enameled aluminum, 59″ x 24′ 7 1/4″ x 65″ (150 x 750 x 165 cm). The Museum of Modern Art, Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, Patricia Cisne

A major figure in the Minimal Art movement, Donald Judd entered the scene in the late '60s with his sleek, rectilinear works such as his "Judd boxes." In 1979, Mr. Judd would go on to move to a small Texan town, transforming the city of Marfa into a blue-chip arts destination and cementing his role as one of the foremost American artists of the postwar era. Now, the Museum of Modern Art in New York has announced a retrospective that will highlight his decades-long career.

Donald Judd, 100 untitled works in mill aluminum, 1982-1986 | Photo credit: Donald Judd, 100 untitled works in mill aluminum, 1982-1986. Permanent collection, the Chinati Foundation, Marfa, Texas. Photo by Douglas Tuck, courtesy of the Chinati Foundation. Donald Judd Art © 2017 Judd Foundation / Artists Rights Society (ARS), New York.

Set to open in March 2020, the long-awaited retrospective is the first of its kind in over thirty years, since the Whitney Museum presented a full-career survey of the artist, sculptor, and architectural designer in the late '80s. Now, for a younger generation that has become familiar with Judd's work namely through road trips to the "most instagrammable spot in all of Texas", 60 of his works will be displayed exploring his remarkable vision and showcasing the full breadth of his career.

“Half a century afterJudd established himself as a leading figure of his time, there remains a great deal to discover. MoMA’s presentation will emphasize the radicality of his approach to art-making and the visual complexity of his work,” said Ann Temkin, MoMA's chief curator of painting and sculpture. Temkin is curating the show alongside Yasmil Raymond, an associate curator; Tamar Margalit, a curatorial assistant; and Erica Cooke, a research fellow in MoMA's painting and sculpture department. 

Donald Judd. Untitled. 1967. Lacquer on galvanized iron; Twelve units, each 9 x 40 x 31″ (22.8 x 101.6 x 78.7 cm), installed vertically with 9″ (22.8 cm) intervals. The Museum of Modern Art, Helen Acheson Bequest (by exchange) and gift of Joseph Helman. Photo by John Wronn © 2019 Judd Foundation / Artists Rights Society (ARS), New York

Donald Judd will also be one of the first major exhibitions at MoMA after its reopening in October, when the museum's $400 million expansion completes. Reopening with an emphasis on women and artists of color, his retrospective will follow other highly-anticipated exhibits: a survey of Latin American art, solo shows for Betye Saar and Pope.L, and a retrospective of the works of Depression-era photographer, Dorothea Lange. 

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MoMA to stage long-awaited Donald Judd retrospective in 2020

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MoMA to stage long-awaited Donald Judd retrospective in 2020

By Mackenzie Goldberg|

Thursday, Apr 25, 2019

Share

Donald Judd. Untitled. 1991. Enameled aluminum, 59″ x 24′ 7 1/4″ x 65″ (150 x 750 x 165 cm). The Museum of Modern Art, Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, Patricia Cisne

Related

donald judd ● moma ● retrospective ● events ● marfa

A major figure in the Minimal Art movement, Donald Judd entered the scene in the late '60s with his sleek, rectilinear works such as his "Judd boxes." In 1979, Mr. Judd would go on to move to a small Texan town, transforming the city of Marfa into a blue-chip arts destination and cementing his role as one of the foremost American artists of the postwar era. Now, the Museum of Modern Art in New York has announced a retrospective that will highlight his decades-long career.

Donald Judd, 100 untitled works in mill aluminum, 1982-1986 | Photo credit: Donald Judd, 100 untitled works in mill aluminum, 1982-1986. Permanent collection, the Chinati Foundation, Marfa, Texas. Photo by Douglas Tuck, courtesy of the Chinati Foundation. Donald Judd Art © 2017 Judd Foundation / Artists Rights Society (ARS), New York.

Set to open in March 2020, the long-awaited retrospective is the first of its kind in over thirty years, since the Whitney Museum presented a full-career survey of the artist, sculptor, and architectural designer in the late '80s. Now, for a younger generation that has become familiar with Judd's work namely through road trips to the "most instagrammable spot in all of Texas", 60 of his works will be displayed exploring his remarkable vision and showcasing the full breadth of his career.

“Half a century afterJudd established himself as a leading figure of his time, there remains a great deal to discover. MoMA’s presentation will emphasize the radicality of his approach to art-making and the visual complexity of his work,” said Ann Temkin, MoMA's chief curator of painting and sculpture. Temkin is curating the show alongside Yasmil Raymond, an associate curator; Tamar Margalit, a curatorial assistant; and Erica Cooke, a research fellow in MoMA's painting and sculpture department. 

Donald Judd. Untitled. 1967. Lacquer on galvanized iron; Twelve units, each 9 x 40 x 31″ (22.8 x 101.6 x 78.7 cm), installed vertically with 9″ (22.8 cm) intervals. The Museum of Modern Art, Helen Acheson Bequest (by exchange) and gift of Joseph Helman. Photo by John Wronn © 2019 Judd Foundation / Artists Rights Society (ARS), New York

Donald Judd will also be one of the first major exhibitions at MoMA after its reopening in October, when the museum's $400 million expansion completes. Reopening with an emphasis on women and artists of color, his retrospective will follow other highly-anticipated exhibits: a survey of Latin American art, solo shows for Betye Saar and Pope.L, and a retrospective of the works of Depression-era photographer, Dorothea Lange. 

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