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Tagged: emerging designers

Pavilion featuring a modular loom weaving textiles wins the 2018 Chart Architecture Competition

By Mackenzie Goldberg|

Wednesday, Sep 5, 2018

This year's winner, Tight Knit, was designed by Jan Sienkiewicz and Uta Sienkiewicz. Photo by Joakim Züger.

Launched in 2014, the Chart Art Fair's architectural initiative hosts an annual competition to promote young Nordic architects and explore the crossovers between art and architecture. 

This year's competition concept was "open-source,"  asking participants to unfold the potential of open-source content through modular design. Underlining the significant relationship that exists between art and architecture, participants were expected to work closely with artists to design a pavilion that would house gastronomy partners and SPACE10 for the duration of this year's fair.

Held earlier in September, the competition's five finalists have now displayed their innovative structures to a panel of judges including Bjarke Ingels, MoMA curator Beatrice Galilee, designers Ben Clement and Sebastian de la Cour of benandsebastian, HHF Architects founder Simon Frommenwiler, gallerist and Chart cofounder Susanne Ottesen, and Thomas Lommeé, founder of OpenStructure. 

Selected as the winner of the 2018 Architecture Competition was "Tight Knit," which draws on the traditions of craft-knitting and weaving. Designed by Jan Sienkiewicz—a student at The Royal Danish Academy of Fine Arts—and Uta Sienkiewicz—a student at University of the Arts London Central Saint Martins—the pavilion features a modular loom that can knit patterns from natural yarn, discarded textiles, and/or old plastic wrapping.

Below, check out the project winner along with the built works from the four other finalists, featured at the 2018 Chart Art Fair.

Tight Knit

Architecture student Jan Sienkiewicz and textile design student Uta Sienkiewicz made use of traditional craftsmanship scaled to a knitted pavilion.

Photo by Joakim Züger

Frame

Architecture students Malte Harrig and Vitus Karsten Bjerre and art-photography student Katrine Hoff have collaborated on the Frame pavilion, which is inspired by art transport and can be packed flat.

Photo by Joakim Züger

Open Resource

Architecture students Dennis Andersson, Mikkel Møller Roesdahl and Xan Browne created the Open Resource pavilion with the desire to convey the aesthetic potential of recycled plastics.

Photo by Joakim Züger

The Many Chairs Pavilion

Art student Sofia Luna Steenholdt, architects Joachim Makholm Michelsen, Emil Bruun Meyer and Casper Phillip Ebbesen collaborated to create The Many Chairs Pavillion by using residual materials from CNC produced open source chairs: 72 chairs, one pavilion, zero-waste.

Photo by Joakim Züger

Sum of Us: A Cloud of Human Emotions

Architect Sean Lyon is behind Cloud 9.0, which is a physical manifestation of the “Open Source” concept and combines the idea of infinite knowledge in a strict physical form. The Pavilion illustrates the Internet’s infinite knowledge bank through the “cloud”.

Photo by Joakim Züger
RELATED NEWS From Ikea bags to algae to trusty ol' paper, here are the 2017 ​CHART ARCHITECTURE finalist proposals

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chart architecture competition ● chart arts fair ● nordic ● pavilion ● architecture competition ● competitions ● modular design ● emerging designers ● europe

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Pavilion featuring a modular loom weaving textiles wins the 2018 Chart Architecture Competition

By Mackenzie Goldberg|

Wednesday, Sep 5, 2018

Share

This year's winner, Tight Knit, was designed by Jan Sienkiewicz and Uta Sienkiewicz. Photo by Joakim Züger.

Related

chart architecture competition ● chart arts fair ● nordic ● pavilion ● architecture competition ● competitions ● modular design ● emerging designers ● europe

Launched in 2014, the Chart Art Fair's architectural initiative hosts an annual competition to promote young Nordic architects and explore the crossovers between art and architecture. 

This year's competition concept was "open-source,"  asking participants to unfold the potential of open-source content through modular design. Underlining the significant relationship that exists between art and architecture, participants were expected to work closely with artists to design a pavilion that would house gastronomy partners and SPACE10 for the duration of this year's fair.

Held earlier in September, the competition's five finalists have now displayed their innovative structures to a panel of judges including Bjarke Ingels, MoMA curator Beatrice Galilee, designers Ben Clement and Sebastian de la Cour of benandsebastian, HHF Architects founder Simon Frommenwiler, gallerist and Chart cofounder Susanne Ottesen, and Thomas Lommeé, founder of OpenStructure. 

Selected as the winner of the 2018 Architecture Competition was "Tight Knit," which draws on the traditions of craft-knitting and weaving. Designed by Jan Sienkiewicz—a student at The Royal Danish Academy of Fine Arts—and Uta Sienkiewicz—a student at University of the Arts London Central Saint Martins—the pavilion features a modular loom that can knit patterns from natural yarn, discarded textiles, and/or old plastic wrapping.

Below, check out the project winner along with the built works from the four other finalists, featured at the 2018 Chart Art Fair.

Tight Knit

Architecture student Jan Sienkiewicz and textile design student Uta Sienkiewicz made use of traditional craftsmanship scaled to a knitted pavilion.

Photo by Joakim Züger

Frame

Architecture students Malte Harrig and Vitus Karsten Bjerre and art-photography student Katrine Hoff have collaborated on the Frame pavilion, which is inspired by art transport and can be packed flat.

Photo by Joakim Züger

Open Resource

Architecture students Dennis Andersson, Mikkel Møller Roesdahl and Xan Browne created the Open Resource pavilion with the desire to convey the aesthetic potential of recycled plastics.

Photo by Joakim Züger

The Many Chairs Pavilion

Art student Sofia Luna Steenholdt, architects Joachim Makholm Michelsen, Emil Bruun Meyer and Casper Phillip Ebbesen collaborated to create The Many Chairs Pavillion by using residual materials from CNC produced open source chairs: 72 chairs, one pavilion, zero-waste.

Photo by Joakim Züger

Sum of Us: A Cloud of Human Emotions

Architect Sean Lyon is behind Cloud 9.0, which is a physical manifestation of the “Open Source” concept and combines the idea of infinite knowledge in a strict physical form. The Pavilion illustrates the Internet’s infinite knowledge bank through the “cloud”.

Photo by Joakim Züger
RELATED NEWS From Ikea bags to algae to trusty ol' paper, here are the 2017 ​CHART ARCHITECTURE finalist proposals

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