Norden Fund winner ready to investigate Japan’s abandoned industrial landscapes
By Alexander Walter|
Tuesday, May 20, 2025
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The Architectural League of New York just revealed this year's recipient of the Deborah J. Norden Fund: University of Miami student Catalina Cabral-Framiñan was awarded a $7,500 travel grant to explore industrial reuse strategies in rural Japan for her research project "Industrial Ghosts: Revitalizing Japan’s Abandoned Industrial Landscapes." The investigation will focus on three sites: Sado Island Gold Mine in Niigata; Ishikari Coal Basin in Hokkaido; and the Setouchi region's "Art Islands" of Naoshima, Inujima, and Teshima.
"The landscapes of Japan bear the marks of a profound ongoing transformation — one that reflects the complex interplay of economic migration, industrial decline, and the aftereffects of colonial and wartime histories," Cabral-Framiñan shared.
"Japan’s population continues to gravitate toward urban capitals such as Tokyo, leaving their rural communities hollowed out. Industrial infrastructures in many of these places — especially those pertaining to extraction — were once the beating hearts of the communities but now lay abandoned, either due to lack of continuing investment or labor… How can abandoned industrial sites reconcile their histories of exploitation and pollution with aspirations for renewal? What role can architecture play in bridging the past and future of these spaces while addressing the urgent need for regional revitalization in Japan’s countryside?"
Cabral-Framiñan, a fifth-year student currently pursuing a Bachelor of Architecture at the School of Architecture and another bachelor's degree in history with a minor in classics at the College of Arts and Sciences, seeks to combine her dual backgrounds for comprehensive research and to highlight how architecture can help create fair and resilient solutions to post-industrial challenges.
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1 Comment
Gary Garvin · May 21, 25 10:12 PM
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Show other results when they come?
These preservations and transformations do so much for a site, for the people. Not only do they preserve a memory, they encourage reflection on what the structures once represented. And they have an expressive power of their own.
The Cali Brothers feed mill
once lay at the intersection of the two major streets in Cupertino, CA. For years they stood vacant, yet provided a point of reference and structural variety, a sense of a center. Some paint, some clarification, it could have remained a landmark
in an area that now has none, no sense of center, of the past. This complex replaced it.
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